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WELCOME TO THE TENNESSEE SONGWRITERS
ASSOCIATION INTERNATIONAL WEBSITE
"Your Connection To Nashville"

        Everything you need to know                    about our organization is easily                 accessible for you on this website.
        Navigate, Network, Have Fun!

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This Week at TSAI

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Tuesday 02/18/2025​

"Find A Co-Writer"

A special Zoom event, hosted by 

Judy Klass and Michele Earl

You must contact Judy before the event for a zoom link

 

Tell folks about yourself,

(over Zoom):

whether you write lyrics (primarily),

or melodies,

if you play an instrument or have a home studio,

the kinds of songs you admire --

and choose one song to play that gives a

sense of "you" as a writer.

Find new people to co-write with!

To register contact:

JudyKwrites@aol.com

Tone Central Station

1056 E Trinity Lane, Suite #102

Nashville TN, 37212

6:30-8:30PM

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Please Follow our Youtube Channel For Free Workshops  
TSAI Nashville - YouTube

Next Week at TSAI

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Tuesday 2/25/2025

Pitch A Pro

Texas Country Gospel Artist Jeff Burns

6p.m.-8:30 p.m. CDT

This will be a remote pitch . We will be live on FB and at 

Tone Central Station

1056 E Trinity Lane, Suite #102

Nashville TN, 37212

​

​


Please Follow our Youtube Channel For Free Workshops
 TSAI Nashville - YouTube

Important Information For Songwriters
 

SPOTIFY—PRIVATE DEALS AND THE MLC LAWSUIT

Over the past few days there has been dizzying developments regarding the streaming giant SPOTIFY that may impact the terrible “bundling” scheme they unilaterally announced a year ago.

BACKGROUND: The Nashville Songwriters Association International (NSAI) and National Music Publishers Association (NMPA) spent ten long years before the Copyright Royalty Board (CRB) litigating against Spotify and other digital services for higher streaming rates. We won the largest increase in history, a 43.5% increase, but the services appealed and in late 2023 that rate increase was upheld.

Just weeks later, in February 2024, Spotify and NO OTHER streaming service came up with their infamous “bundling” scheme. They took over forty million customers who had purchased their music plan and without their permission moved them to a “bundle” featuring music and audiobooks. However, they limited audiobook consumption to only 15 hours per month and somehow determined a revenue sharing configuration that has cost songwriters an estimated loss in royalties over the past year of a hundred million dollars or more.

In May 2024, the Mechanical Licensing Collective (MLC) sued Spotify alleging that the service’s “bundle” was improper because of the value they placed on the audiobook portion – one they had previously offered for free!

DEALS: In November 2024 Amazon announced a similar music/audiobook bundle, but said they would NOT decrease payments for music.
In late January Universal Music Group and Spotify announced a new private deal that reportedly rolled back bundling losses for songwriters.

In early February Warner Chappell announced another private deal with Spotify that according to reports “supersedes” the catastrophic Spotify bundling plan.

MLC LAWSUIT DISMISSED: Just before the Warner Chappel deal was announced the lawsuit the MLC filed against Spotify for their “bundle” was dismissed. “This was more than surprising,’ said NSAI Executive Director Bart Herbison. “We don’t believe the ruling was accurate and hope that the Mechanical Licensing Collective appeals.”


WHAT’S NEXT?

“It is critical to note that the private deals with Universal Music Group and Warner Chappell are ones we can use at the next Copyright Royalty Board,” Herbison continued. “We are waiting to see if more deals are announced, or if the MLC lawsuit dismissal has an impact on such deals.”

“Either way Spotify has been the lone streaming company to utilize a “bundle” that costs songwriters hundreds of millions of dollars, all while their founder and top executives cashed in hundreds of millions in stock. We have reasons to believe that the private deals are likely in Spotify’s best interest, but once again extend our plea for them to pay songwriters fair compensation. The truth of NSAI’s motto, ‘It All Begins with a Song’ is illustrated by the billions of dollars Spotify collects based on the brilliance of songwriters and composers.”


MAJOR RULING ON COPYRIGHT TERMINATION

A ruling by a Louisiana Judge could have a global impact on songwriters terminating their copyrights.  More:

https://www.forbes.com/sites/williamhochberg/2024/08/06/how-a-louisiana-copyright-ruling-could-stir-up-the-global-music-biz/

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1056 E Trinity Lane, Suite #102

Nashville TN, 37212

TSAI AWARDS SHOW
Tuesday April 8th start 6:30
Venue TBD
Featuring Lifetime Achievement Recipient
Bill Anderson

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Country Music Hall of Famer and Grand Ole Opry titan Bill Anderson is the rare songwriter whose first major label cut went to No. 1 on the charts, was named Song of The Year and sparked a writing career that is currently in its seventh decade.

The song, "City Lights," was written when Anderson was a 19-year old Georgia disc jockey and became a career-defining hit for Ray Price in 1958. The song opened doors for him in Nashville, leading him to signing with BMI and Tree Publishing.
Anderson was far from a one-hit wonder. He followed "City Lights" with country standards like "Tips Of My Fingers," the GRAMMY-nominated "Once A Day," "Saginaw, Michigan," "That's What It's Like To Be Lonesome," "I Missed Me," "Cold Hard Facts Of Life," which earned him another GRAMMY nomination, "Mama Sang A Song," the crossover smash, "Still," and countless others.

He was voted country Songwriter of the Year six times during his first decade in Music City. His success continued into the 1970’s with award-winning hits like "Slippin' Away," "The Lord Knows I'm Drinking," "I May Never Get To Heaven," and the disco-flavored, "I Can't Wait Any Longer." The 1980’s saw Anderson's chart-topping career take a hiatus as he became a TV network game show host, spokesman for a national restaurant chain and a nonstop touring Grand Ole Opry performer. In the 1990’s he came roaring back with a vengeance, however, as he seriously turned to co-writing for the first time. Inducted into the Country Music Hall of Fame in 2001, his collaborations with the newer generation of Nashville tunesmiths resulted in hits like "Wish You Were Here," the GRAMMY-nominated "Two Teardrops," "A Lot Of Things Different," for Kenny Chesney, "Which Bridge To Cross (Which Bridge To Burn)," for Vince Gill and two CMA Song Of The Year trophies for "Whiskey Lullaby," with Brad Paisley and Alison Krauss and George Strait’s "Give It Away," in 2005 and 2007 respectfully. 

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Welcome our new chapter in Colorado, run by Revele. If you are in Colorado and want to be a part of this chapter contact her.
TsaiColorado@gmail.com

 

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     AMAZON BUTTON,

    you will be supporting the TSAI ORGANIZATION

Tennessee Songwriters Association International   

 615-582-0176

P.O. Box 593

Burns, Tn 37029

Email: tsainashville@gmail.com

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